Mercedes-Benz Prague Fashion Week · FW26 · 24–30 April 2026 · Artium by KKCG · Bořislavka
What happened, what you had to see, and what this edition says about luxury in Prague.
There are editions that resemble the previous one and editions that mark a turning point. MBPFW FW26 belongs clearly to the second category — not because the programme was spectacularly different from past years, but because the venue changed everything. Moving from SaSaZu in Holešovice to Artium by KKCG in Bořislavka is a decision that says something about the direction the event wants to take. Artium is not a club. It is a multicultural space designed to "create unexpected encounters between people and art" — contemporary architecture open to the street, anchored in the urban logic of a transforming neighbourhood, steps from Bořislavka Centrum and the prestige addresses of Prague 6. It is a signal of maturity: Prague's fashion is no longer seeking to be heard in nighttime spaces. It claims its place in the city by day.
Thursday 24 April: Zoltán Tóth sets the level
Zoltán Tóth opened Artium's shows at 9pm on Thursday 24 April with a collection whose architectural rigour and technical mastery immediately set the edition's level. Tóth is one of the Prague scene's most reliable creators — his presence in the first slot of each edition is an editorial choice expressing the event's trust in his ability to set the tone. His FW26 collection delivered on that trust. A strong symbolic moment: the catwalk featured the Allwyn Champs, young sports talents supported by Allwyn, part of KKCG's entertainment business — the Artium's owner. Fashion, sport and youth in a single gesture that worked because the venue itself made it coherent.
Saturday 25 April: gala night and international opening
The afternoon, under Harper's Bazaar's editorial curatorship, featured Valérie Jurčíková (collection 5.0, working the tension between physical performance and contemporary adaptability, with VHS fitness tapes as leitmotif), Alexandra Gnidiak and Hana Valtová. The Saturday evening belonged to the MBPFW x Vogue Czechoslovakia Runway, featuring Ukrainian brand GUDU — founded in Kyiv in 2015 by Lasha Mdiniaradze, characterised by precise tailoring and an aesthetic combining elegance with contemporary sensuality. GUDU's Prague presence is not trivial: it is recognition that the Ukrainian creative scene, even in conflict time, maintains vitality and international vision that platforms like MBPFW have a responsibility to support.
Sunday 26 April: talents, Tobias Schubert, and closing shows
Sunday opened with Technická Univerzita v Liberci alongside Spanish designer Guillermo Décimo, winner of the Mercedes-Benz Fashion Talent Award at Mercedes-Benz Fashion Week Madrid. Décimo's collection "In Tempo", connecting traditional artisan techniques with contemporary narrative, was presented at Prague in the affiliated fashion weeks exchange framework — one of the MBPFW's most concrete mechanisms for building international opening.
The afternoon featured the third edition of Mattoni Young Fashion Stars 2026 — won by Barbora Kotěšovcová among finalists including Kryštof Bača, Jeremiáš Furst, Tereza Fodorová, Anna Pleskačová and Sofia Blahútová — followed by Aleš Hnátek.
Then came Tobias Schubert with his collection ALT SKIN — if one collection from this edition deserves detailed analysis, it is this one. ALT SKIN works on corporeality and the boundary between garment and skin. Its directional line stems from a fascination with true crime aesthetics, linked by Schubert to a delinquent narrative — a position that could have seemed provocative for effect, but in the show read with a troubling coherence. As he formulates it himself: "I try rather to tell a story with the show." ALT SKIN does exactly that. The incorporation of corsets crafted in Hana Valtová's atelier adds a creator dialogue dimension that is one of the Prague scene's hallmarks: a community that works together, not isolated egos.
Wednesday 29 April: "Viva la Diva" — Vanda Janda closes at Cafe~Cafe
At Cafe~Cafe (Rytířská 10, Prague 1), Vanda Janda presented her collection "Viva la Diva!" in a format that was not a conventional show but an event-presentation conceived as a declaration of intent. Vanda Janda, one of Czech fashion's most recognised and beloved designers, chose this intimate, festive format because her fashion is not made for a silent podium but for a room that vibrates, laughs, celebrates. "Viva la Diva" is exactly that — a collection claiming joyous excess, unapologetic flamboyance, and the conviction that fashion can be an act of joy rather than a positioning gesture. The afterparty that followed and the MBPFW Official Closing Party at Groove Bar symbolically closed the edition.
What this edition says about Prague in 2026
The MBPFW FW26's move to Artium by KKCG at Bořislavka signals something about the city's trajectory: Prague is no longer content to observe Paris or Milan from fashion's periphery. It is developing its own scene, its own codes, its own talents, its own vision. This creative confidence is inseparable from the economic confidence we have documented elsewhere: Prague progressed +14.6% in prime property prices in 2025, leading Europe according to Knight Frank PIRI. A city attracting creators, artists and fashionistas is also a city attracting investors and UHNWI families seeking a central European anchor. Fashion is a signal — not a cause, but a signal — of this maturity. For Adopte une Conciergerie's clients interested in Prague, the MBPFW FW26 is precisely the type of event that says where Prague stands. And Prague, in April 2026, is a city that knows what it is worth.



